《汉画总录》是一个意义重大、影响深远的国家级文化抢救和文化建设项目，以照片、拓片、线描及墓葬位置复原图等方式记录汉画图像，对图像的出土地点、年代、尺寸、材质、考古环境、画面内容、图像关系等作全面著录。项目计划正编150册，补遗50册，将通过构建一部完整的汉代图像志，为今后汉画的保存、再现、使用等提供有力的支持和保障，为中国上古晚期的思想、政治、经济、文化研究奠定坚实的基础。作为本学术工程的第二期，《汉画总录》（11—30册）对南阳地区的汉画作了调查、整理、著录，正编范围限于南阳汉画馆所藏南阳及其诸县出土和征集的画像石，其他因客观原因暂未收录的部分，将在补遗卷中与南阳地区的画像砖及其他材质、器物上的图像一并陆续著录。
目录
前言...........................................................................13
图录(以汉画总录编号排列)
HN-NY-022-01(1)................................................................20
HN-NY-022-01(2)................................................................23
HN-NY-022-02(1)................................................................26
HN-NY-022-02(2)................................................................28
HN-NY-022-03(1)................................................................30
HN-NY-022-03(2)................................................................32
HN-NY-022-04(1)................................................................34
HN-NY-022-04(2)................................................................36
HN-NY-022-05(1)................................................................38
HN-NY-022-05(2)................................................................40
HN-NY-022-06(1)................................................................42
HN-NY-022-Oh(2)................................................................44
目录
前言...........................................................................13
图录(以汉画总录编号排列)
HN-NY-022-01(1)................................................................20
HN-NY-022-01(2)................................................................23
HN-NY-022-02(1)................................................................26
HN-NY-022-02(2)................................................................28
HN-NY-022-03(1)................................................................30
HN-NY-022-03(2)................................................................32
HN-NY-022-04(1)................................................................34
HN-NY-022-04(2)................................................................36
HN-NY-022-05(1)................................................................38
HN-NY-022-05(2)................................................................40
HN-NY-022-06(1)................................................................42
HN-NY-022-Oh(2)................................................................44
HN-NY-022-07(1)................................................................46
HN-NY-022-07(2)................................................................48
HN-NY-022-08(1)............................................................... 50
HN-NY-022-08(2)................................................................52
HN-NY-022-08(3)................................................................54
HN-NY-022-08(4)................................................................56
HN-NY-022-09(1)................................................................58
HN-NY-022-09(2)................................................................60
HN-NY-022-09(3)................................................................62
HN-NY-022-09(4)................................................................64
HN-NY-022-10(1)................................................................66
HN-NY-022-10(2)................................................................68
HN-NY-022-11(1)................................................................70
HN-NY-022-11(2)................................................................72
HN-NY-022-12...................................................................74
HN-NY-022-13...................................................................78
HN-NY-022-14...................................................................80
HN-NY-022-15（1）..............................................................86
HN-NY-022-15（2）................
朱青生：德国海德堡大学博士，北京大学教授，北京大学汉画研究所所长，中国汉画学会副会长。主要学术成果如下：1．专著：《将军门神起源研究》《没有人是艺术家，也没有人不是艺术家》《十九札》等；2．主编：《中国汉画研究》（中国汉画学会 北京大学汉画研究所学刊）；3．主持课题：2012年度国家社科基金重大项目“中国汉代图像数据库与《汉画总录》编撰研究”、《汉画综述》等。
凌皆兵：南阳汉画馆馆长，主编《南阳汉代画像石图像资料集锦》，发表《阴阳思想在汉代画像石上的表现》《南阳发现的汉代钱范及相关问题探讨》等论文。
